‘Pleasure Island’ is British composer Tim Parkinson’s disquieting and joyous Slip debut: play time in end times.

Titled after the Disney adaptation of ‘Paese dei balocchi’ (or the Land of Toys) in Carlo Collodi’s ‘The Adventures of Pinocchio’ (1883), ‘Pleasure Island’ is a metaphysical playground of organic and digital cohabitation, its inhabitants pacified by toys and comforts.

Parkinson and his ensemble exert an uncannily emotional pull from an unlikely but potent alliance of ultra-minimal aesthetics, dead-beat drums, junk electronics, and mechanised mantras.